Selected Works

In this section you can find a selection of some of the collaborations and performances I have done during the last years as performer.

Playing with Abakorao
Latin and Caribbean music.

Since 2022, I've had the privilege of playing with the Latin band Abakorao, under the direction of Santiago Ramírez. We've been fortunate to perform at several festivals, showcasing our music to enthusiastic audiences. Additionally, being part of the band has given me the chance to enjoy playing in various venues across Delhi, where we've built a strong connection with the local music scene. The experience with Abakorao has been truly rewarding, allowing me to grow as a musician while embracing the vibrant world of Latin music.

Flamenco Jazz and Spanish music with the Bailaora Bettina Castaño

Collaborating with the talented performers Aditi and Bettina Castaño has been a rich and rewarding journey, marked by unforgettable performances at prestigious festivals in India. From the vibrant colors of the Kerala International Festival to the cultural splendor of the Bhopal International Festival in Madhya Pradesh, each stage we graced became a canvas upon which we painted stories of passion, tradition, and innovation.

Our collaborations were a testament to the power of artistic synergy, with Bettina's captivating performances with the evocative melodies I crafted on the piano. Together, we embarked on a mesmerizing odyssey through the diverse landscapes of music and dance, seamlessly weaving together elements of classical, folk, and contemporary art forms to create something truly transcendent.

One of the highlights of our collaboration was the Kerala International Festival, where we had the privilege of showcasing our unique blend of music and dance against the backdrop of Kerala's lush landscapes and rich cultural heritage. From the rhythmic beats of Kathakali to the sensual movements of Flamenco, our performances captured the hearts and imaginations of audiences from around the world, earning us accolades and standing ovations. Similarly, our participation in the Bhopal International Festival in Madhya Pradesh was a testament to the universal language of art that transcends geographical and cultural boundaries.

Chinesse New Year 2024

Accompanying the talented singer Pallavi Seth on the piano for her performance during the Chinese New Year celebrations of 2024 was a moment of cultural fusion and musical harmony. As we took to the stage, adorned with vibrant decorations heralding the arrival of the Year of the Dragon, there was an air of anticipation that hung thick in the atmosphere.

Pallavi's voice, like a delicate thread weaving through the fabric of tradition, carried the audience on a journey through the rich tapestry of Chinese music and culture. With each note she sang, it was as if she summoned ancient spirits, invoking the mystique and majesty of centuries-old traditions.

As her pianist, my role was to provide a foundation upon which Pallavi's vocals could soar. Together, we embarked on a musical odyssey, navigating the intricate melodies and haunting harmonies that define Chinese music. From the ethereal beauty of traditional folk songs to the exuberant energy of celebratory tunes, every note we played was imbued with a sense of reverence for the cultural significance of the occasion.

Collaborating with Pallavi was a joyous experience, her soulful voice melding seamlessly with the melodic tapestry I wove on the piano keys. Together, we explored the nuances of Chinese music, infusing our performance with passion, precision, and a deep appreciation for the rich heritage we sought to honor.

And as the final chords reverberated through the venue, there was a collective sense of awe and admiration from the audience—a recognition of the beauty and significance of the music we had shared. In that moment, it was as if the boundaries between cultures dissolved, and we were all united in a celebration of the universal language of music.

Accompanying Pallavi Seth on the piano for her Chinese New Year performance in 2024 was a privilege and a pleasure—an opportunity to bridge cultures, celebrate diversity, and create lasting memories through the power of music.

Tansen More Festival 2021

Participating in the Tansen Festival was an incredibly enriching and memorable experience, filled with the beauty and vibrancy of Spanish music. As both a pianist and vocalist, being able to showcase the rich traditions of Spanish music, including coplas and original songwriting works, was a true honor.

The festival provided a platform to immerse myself in the cultural heritage of Spain, sharing the evocative melodies and heartfelt lyrics of coplas with audiences from diverse backgrounds. Through these performances, I had the opportunity to connect with listeners on a deep emotional level, conveying the essence of Spanish music and its enduring impact on the human spirit.

In addition to performing traditional Spanish music, I also had the privilege of sharing original songwriting works inspired by the country's rich tapestry of culture and history. These compositions allowed me to explore themes of identity, belonging, and social justice, using music as a means of expression and advocacy.

One of the highlights of the festival was the opportunity to collaborate with fellow musicians and artists, creating a sense of community and camaraderie that transcended language and cultural barriers. Together, we celebrated the universal language of music, forging connections and fostering understanding through our shared love of Spanish music.

Participating in the Tansen Festival was not only a testament to the enduring beauty of Spanish music but also a reminder of the power of music to unite, inspire, and uplift. It was a joyous celebration of cultural diversity and artistic expression, leaving a lasting impression on all who attended.

A Doll's House

A DOLL’S HOUSE

Theatre (2022)

‘I must make up my mind which is right – society or I.’ - Nora Helmer

A Doll's House is a three-act play written by Norwegian playwright Henrik Ibsen. It premiered at the Royal Theatre in Copenhagen, Denmark, on 21 December 1879, having been published earlier that month. The play is set in a Norwegian town circa 1879. The play concerns the fate of a married woman, who at the time in Norway lacked reasonable opportunities for self-fulfillment in a male-dominated world, despite the fact that Ibsen denied it was his intent to write a feminist play. It was a great sensation at the time, and caused a "storm of outraged controversy" that went beyond the theatre to the world of newspapers and society. In 2006, the centennial of Ibsen's death, A Doll's House held the distinction of being the world's most performed play that year. UNESCO has inscribed Ibsen's autographed manuscripts of A Doll's House on the Memory of the World Register in 2001, in recognition of their historical value.

A Doll's House questions the traditional roles of men and women in 19th-century marriage. To many 19th-century Europeans, this was scandalous. The covenant of marriage was considered holy, and to portray it as Ibsen did was controversial. However, the Irish playwright George Bernard Shaw found Ibsen's willingness to examine society without prejudice exhilarating.

A short film on the making of this play is available below, which captures the ideas, the process, and the labour that went into its making. This beautiful film comprises interviews and rehearsals' footage in an attempt to express the journey that brought this show to stage.

Duration: 2:30hrs minutes | Language: Hindustani

Conceived & Directed Amitesh Grover

Homenage to Jacques Brel in the International day of languages.

Performing at Alliance Française Delhi alongside the talented singer Iris Munos was a moment that resonates deeply within me. Together, we embarked on a musical journey through the timeless repertoire of Jacques Brel, the legendary Belgian singer-songwriter whose emotive compositions have left an indelible mark on the world of music.

From the moment the curtains parted and the first notes filled the air, there was an electric energy pulsating through the venue. The audience, a tapestry of eager faces, seemed to hang onto every lyric, every melody that Iris and I wove together. It was a testament to the universality of Brel's music, transcending borders and languages to touch the hearts of all who listened.

With each song meticulously arranged, we sought to capture the essence of Brel's artistry while infusing it with our own interpretations. From the poignant melancholy of "Ne Me Quitte Pas" to the fervent passion of "Amsterdam," every performance was imbued with a sense of reverence for the source material, coupled with a desire to breathe new life into these cherished classics.

Collaborating with Iris was an enriching experience, her velvety voice intertwining seamlessly with the intricate melodies I crafted. Together, we navigated the highs and lows of Brel's repertoire, channeling the raw emotions and vivid imagery that define his songs.

And as the final notes of our last performance lingered in the air, there was a palpable sense of connection—a shared experience that transcended language barriers and cultural divides. In that moment, it was as if we had become conduits for the legacy of Jacques Brel, uniting disparate souls in a celebration of music and storytelling.

Performing and arranging the songs of Jacques Brel with Iris Munos at Alliance Française Delhi was more than just a concert; it was a testament to the enduring power of music to unite, inspire, and move us in ways that words alone cannot express.

Bawari Basanti Collaboration

There may be no better way to communicate what we do than through images. As you browse our site, take a few moments to let your eyes linger here, and see if you can get a feel for our signature touch.

WEME Collaboration

Being part of the World Ethic Music Ensemble (WEME) was a transformative journey that opened my eyes and ears to the rich tapestry of global musical traditions. As the pianist in this eclectic ensemble, I had the privilege of exploring exotic rhythms, melodies, and harmonies from every corner of the globe, weaving them together into a mesmerizing tapestry of sound.

From the hypnotic beats of African drums to the soul-stirring melodies of Middle Eastern ouds, every rehearsal and performance with WEME was a celebration of diversity and cultural exchange. Together, we embarked on a musical odyssey, blending elements of jazz, folk, classical, and traditional music to create something truly unique and transcendent.

One of the most amazing aspects of being part of WEME was the sense of camaraderie and collaboration that permeated every interaction. Each member brought their own cultural background and musical expertise to the table, resulting in a melting pot of ideas and influences that constantly pushed the boundaries of creativity.

As the pianist, I found myself constantly challenged and inspired by the exotic sounds and rhythms that surrounded me. Whether it was learning new scales and modes from distant lands or improvising alongside musicians playing instruments I had never encountered before, every moment was an opportunity for growth and exploration.

But perhaps the most rewarding aspect of being part of WEME was the ability to connect with audiences on a deeply emotional level. Regardless of their cultural background or musical preferences, people were drawn to the universal language of music that we spoke—a language that transcended borders and united us in a shared experience of joy, wonder, and awe.

Looking back on my time with WEME, I am filled with gratitude for the opportunity to be part of such a remarkable project. It was a journey that not only enriched my musicality but also broadened my horizons and deepened my appreciation for the incredible diversity of our world. And though our paths may have diverged, the memories of our time together will always hold a special place in my heart.

Documental: Meditaciones para Señoritas

Collaborating with the artist Anamusma as a pianist for the artistic short film "Meditaciones de una Señorita" was an incredibly beautiful and enriching experience. From the moment I became involved in the project, I was struck by the depth of creativity and artistic vision that Anamusma brought to the table.

The film itself was a captivating exploration of introspection, beauty, and the complexities of the human experience. Through a series of visually stunning vignettes, Anamusma wove together a narrative that invited viewers to embark on a journey of self-discovery and contemplation.

As the pianist for "Meditaciones de una Señorita," my role was to provide a musical backdrop that complemented and enhanced the emotional depth of each scene. Together with Anamusma, we worked collaboratively to select and craft piano compositions that captured the essence of the film's themes and characters.

What made collaborating with Anamusma so special was her unwavering commitment to authenticity and artistic integrity. Every decision, from the choice of music to the placement of each note, was made with a meticulous attention to detail and a profound respect for the storytelling process.

Throughout the filming process, there was a sense of shared creative energy and mutual respect among all involved. Each member of the team brought their own unique talents and perspectives to the project, contributing to a collaborative atmosphere that fostered innovation and experimentation.

As I watched the final cut of "Meditaciones de una Señorita," I was struck by the beauty and power of the finished product. The marriage of visual imagery and musical accompaniment created a multisensory experience that resonated on a deeply emotional level, leaving a lasting impression on all who watched.

In the end, collaborating with Anamusma on "Meditaciones de una Señorita

La Cotorra del Mercat

Being the pianist for a theatre production is an experience unlike any other—a thrilling journey that combines the magic of live performance with the rich tapestry of storytelling. My time as the pianist for the theatre play "La Cotorra del Mercat" was nothing short of extraordinary, filled with moments of joy, creativity, and sheer exhilaration.

From the moment I sat down at the piano, surrounded by the dim glow of stage lights and the buzz of anticipation from the audience, I knew I was embarking on an unforgettable adventure. As the actors took their places and the curtain rose, I became not just a musician, but a vital part of the narrative unfolding before me.

With each keystroke, I painted a musical backdrop that brought the scenes to life, enhancing the drama, humor, and emotion of the story. From whimsical melodies that danced playfully across the keys to haunting refrains that echoed the characters' deepest struggles, every note I played served to deepen the audience's connection to the unfolding tale.

But it wasn't just about providing accompaniment; it was about being fully immersed in the world of the play, responding in real-time to the ebb and flow of the actors' performances. There were moments of spontaneity, where a subtle shift in tempo or a spontaneous improvisation added an extra layer of magic to the scene.

One of the most rewarding aspects of being the pianist for "La Cotorra del Mercat" was the sense of collaboration and camaraderie that permeated every rehearsal and performance. Working closely with the director, cast, and crew, I felt a profound sense of pride in contributing to something larger than myself—a shared vision brought to life through the collective efforts of passionate artists.

And as the final notes of the play faded into the air and the audience erupted into applause, I couldn't help but feel a sense of fulfillment wash over me. Being the pianist for "La Cotorra del Mercat" was more than just a job; it was a labor of love—a chance to use my musical talents to transport audiences to another world and leave them spellbound by the power of live theatre.

PostArt Ensemble - Untempered Journey

Being part of the "Postart Ensemble" has been an extraordinary journey filled with beauty, innovation, and cultural richness. This ensemble's unique blend of Balkan music and contemporary improvisation, infused with the compositions of Jelena Soro, has created a musical experience unlike any other.

From the moment I became involved with the ensemble, I was drawn to the inherent beauty and complexity of the music we created together. Jelena Soro's compositions served as the cornerstone of our repertoire, offering a compelling fusion of traditional Balkan melodies with modern harmonic and rhythmic elements. Each composition became a canvas upon which we could explore and express our individual voices while honoring the rich musical heritage of the Balkans.

What made being part of the "Postart Ensemble" so special was the spirit of collaboration and exploration that infused every rehearsal and performance. Each member brought their own unique background and perspective to the table, contributing to a rich tapestry of sound that was greater than the sum of its parts. Together, we delved into the intricate rhythms, modal harmonies, and emotive melodies of Balkan music, allowing them to evolve and transform through our improvisational approach.

But beyond the music itself, being part of the "Postart Ensemble" was an experience of profound connection and cultural exchange. Through our shared passion for Balkan music, we forged deep bonds with one another and with audiences around the world. Our performances became celebrations of diversity and unity, transcending language and cultural barriers to touch the hearts of listeners everywhere.

As I look back on my time with the "Postart Ensemble," I am filled with gratitude for the opportunity to be part of such a dynamic and visionary group. Our collaborations with Jelena Soro's compositions have left an indelible mark on me, inspiring me to continue exploring the intersection of tradition and innovation in music. And while our musical journey together may have come to an end, the memories we created and the music we shared will continue to resonate within me for years to come.

Pepe Ruiz - Cuadernos de Verano

Being part of the recording process for Pepe Ruiz's album "Cuadernos de Verano" was a deeply moving and beautiful experience. This album, crafted by a passionate singer-songwriter dedicated to advocating for a better world through his music, was more than just a collection of songs—it was a testament to the power of art to inspire change and ignite hope.

From the moment I stepped into the recording studio, I was struck by the sense of purpose and dedication that permeated every aspect of the project. Pepe Ruiz's songs, with their poignant lyrics and stirring melodies, served as a rallying cry for social justice, urging listeners to stand up and make their voices heard in the fight for a more equitable and compassionate society.

As we worked together to bring these songs to life, there was an undeniable sense of camaraderie and shared vision among everyone involved in the recording process. Musicians, producers, and engineers alike came together with a common goal—to create music that not only sounded beautiful but also carried a powerful message of hope and resilience.

The recording sessions themselves were filled with moments of creativity, inspiration, and collaboration. From experimenting with different musical arrangements to fine-tuning the smallest details of each track, every decision we made was guided by a shared commitment to honoring the integrity and spirit of Pepe Ruiz's music.

But perhaps the most beautiful aspect of being part of the recording of "Cuadernos de Verano" was witnessing the transformative impact that music can have on both individuals and communities. As we listened to the playback of each song, there was a palpable sense of emotion in the air—a recognition that we were part of something much larger than ourselves, something that had the power to touch hearts and change lives.

In the end, "Cuadernos de Verano" was more than just an album—it was a testament to the resilience of the human spirit and the enduring power of music to inspire, unite, and uplift. And as I reflect on my experience recording with Pepe Ruiz, I am filled with gratitude for the opportunity to be part of such a meaningful and impactful project.

Coplas y Cuplés with Joyce Cheung

Collaborating on singing coplas and cuplés of Spain was a journey steeped in tradition, culture, and political significance. These musical genres, deeply rooted in Spanish history, serve as both a form of entertainment and a means of political and social commentary, making them an integral part of the country's musical heritage.

Coplas and cuplés have long been used as vehicles for expressing political revindications, often serving as a platform for marginalized voices to be heard. Through witty lyrics, clever wordplay, and poignant melodies, these songs shed light on pressing social issues, challenge societal norms, and advocate for change.

One of the reasons why cuplés hold such importance in the music history of Spain is their ability to blend entertainment with social critique. Originating in the late 19th and early 20th centuries, cuplés were often performed in cabarets, theaters, and music halls, providing audiences with a form of escapism while also addressing pressing political and social issues of the time.

The theatrical element of cuplés is equally significant, as these songs were often accompanied by elaborate stage performances, costumes, and choreography. This theatricality added an extra layer of depth and impact to the music, captivating audiences and enhancing the overall message being conveyed.

Moreover, coplas and cuplés have served as a means of preserving cultural identity and heritage. By drawing on traditional Spanish rhythms, melodies, and themes, these songs provide a window into the rich tapestry of Spanish culture, allowing listeners to connect with their roots and celebrate their heritage.

Collaborating on singing coplas and cuplés provided an opportunity to engage with this rich musical tradition while also shining a light on contemporary political issues. Through our performances, we were able to pay homage to the artists who came before us, while also using our voices to advocate for a more just and equitable society.

In essence, singing coplas and cuplés is not just about entertaining audiences—it's about using music as a tool for social change, fostering dialogue, and inspiring action. By harnessing the power of music and theater, we can continue to honor the legacy of these iconic genres while also shaping a brighter future for generations to come.

Hip Hop and Piano Tracks

In the vibrant tapestry of hip-hop, where beats pulsate with life and lyrics paint vivid narratives, lies a subtle yet profound melody waiting to be unveiled. Amidst the rhythmic cadence and lyrical prowess, there exists a space where the eloquence of the piano intertwines seamlessly, enriching the sonic landscape with depth and emotion. This is where my journey as a pianist for hip-hop bands begins—a tale of passion, collaboration, and the relentless pursuit of musical synergy.

From the moment my fingers first danced across the ivory keys, I knew that the piano held a special place in my heart. Its ability to convey emotions, evoke memories, and transcend language barriers spoke to me in ways words never could. As I delved deeper into the realm of music, I discovered hip-hop—an art form that resonated with my soul, with its raw authenticity and unbridled creativity.

Joining forces with hip-hop bands was a natural progression, a convergence of my love for the piano and my admiration for the genre's boundless ingenuity. Together, we embarked on a musical odyssey, exploring uncharted territories and pushing the boundaries of conventional soundscapes. In the studio, amidst a whirlwind of ideas and experimentation, we crafted melodies that became the heartbeat of our compositions—each note a testament to our shared vision and collective passion.

Playing the piano for hip-hop bands was not merely about adding a layer of melody; it was about becoming a storyteller, a collaborator, and a catalyst for creative expression. It was about finding the perfect chord progression to underscore a poignant verse, or the subtle arpeggio that elevated a chorus to euphoric heights. It was about listening intently to the rhythm of the streets, drawing inspiration from the pulse of urban life, and infusing our music with the essence of our experiences.

Yet, amidst the exhilarating rush of live performances and late-night jam sessions, there were moments of quiet reflection—moments where the weight of each note hung heavy in the air, moments where the music spoke volumes without saying a word. In those fleeting instants, I found solace in the profound connection forged between musicians, in the harmonious fusion of diverse talents, and in the sheer beauty of creating something greater than ourselves.

As I look back on my time playing the piano for hip-hop bands, I am filled with gratitude—for the friendships forged, the lessons learned, and the music that continues to resonate within me. It is a journey that has shaped me in ways I never thought possible, igniting a passion that burns brighter with each passing day. And as I continue to weave my melodies into the fabric of hip-hop, I am reminded of the timeless truth that music, in all its forms, has the power to unite, to inspire, and to transcend.

Picasso Exhibition

Taller De Micro-relatos

Being the pianist for Microrrelatos was an enchanting experience that transported me into the whimsical world of children's imagination. In these unique events, kids were the storytellers, weaving tales live with their boundless creativity while I provided the musical backdrop on the piano.

Each Microrrelatos event was a magical journey into the fantastical realms conjured by the young storytellers. As they took the stage, their eyes sparkling with excitement, I felt a surge of anticipation ripple through the audience. And as they began to spin their tales—filled with dragons, fairies, and enchanted forests—I found myself swept away by the sheer power of their imagination.

As the pianist, my role was to enhance the storytelling experience, adding depth, emotion, and drama to each narrative with my music. From delicate melodies that whispered of hidden secrets to thunderous chords that heralded the arrival of mythical creatures, every note I played was carefully crafted to complement and elevate the stories being told.

But perhaps the most beautiful aspect of being the pianist for Microrrelatos was the sense of collaboration and connection that blossomed between myself and the young storytellers. As they wove their tales, I listened intently, allowing their words to inspire the melodies that flowed from my fingertips. And in turn, my music seemed to fuel their imaginations, spurring them on to even greater heights of creativity.

As the final story drew to a close and the last notes of music faded into the air, there was a palpable sense of wonder and delight in the room. The audience, young and old alike, had been transported to a world of magic and possibility, all thanks to the power of storytelling and music.

Reflecting on my time as the pianist for Microrrelatos, I am filled with a profound sense of gratitude for the opportunity to be part of such a special and beautiful experience. It was a reminder of the incredible creativity and imagination that resides within us all, no matter our age, and a testament to the transformative power of storytelling and music.